• The Ghetto Review of the new Mac Mini M4

    tech

    12 November 2024

    The Mac becomes a computer for all, this time truly a champion. Affordable and a great value, the new M4 chip Minis are not only Apple’s first carbon neutral machines ever produced, they squash lots of other machines with milliwatts of silence.

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  • The difference between digital and analogue mastering limiter

    pro

    8 November 2024

    Tools, tools, tools. We music producers should be so grateful to have so much built and developed for us to use, that I believe since the first times I started crafting sounds to now, I learnt how to shape even the slightest of frequency thanks to lots of hard work by the Logic Pro developers, but also my eagerness to learn dubbing appropriately with full passion ahead.

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  • Murdering human rights and privacy to deal with script-kiddies? We can’t wait for EU!

    editorial macedonia politics

    11 October 2023

    Oliver Spasovski has literally went public and said all people who use VPNs are targeted and could be suspects for being cybercriminals, this is not hybrid regime, this is a fascist dictatorship.

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  • SlugoS — Heretical Subversion

    music reviews techno

    3 July 2023

    SlugoS delivers a dark atmospheric and driving techno album on German Sacred Court, imprint label run by SNTS. The LP format is rarely exploited by producers nowadays, but he luckily gets back to it and delivers a beautifully crafted album that evolves and brings a diverse set of sounds from start to end.

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  • TKNS — Caecus Nervi

    music reviews techno

    29 March 2023

    In the vast world of groove-ridden art such as techno, many of the offerings are simply reinternations of what a certain tune made work, often the same ideas get recycled in slightly different packages, and most importantly it’s often that the producer loses his vision and meaning with the sound he delivers. But if we were to get stuck at what the mainstream (even of the underground) offers, we’d be in depression and crying out loud that nothing is good anymore, that things aren’t as they used to be, just a general negative connotation of music.

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  • dj bluegucci – Korea EP

    music reviews techno

    18 March 2023

    You wake up one day and it’s the end of the 90’s, back when they started making it rawest, the sludgy and aggressive tribal techno is at its peak and mister dj bluegucci takes the stage with this 3-track EP consisting of totalitarian powerful grooves accompanied by saturated bass lines that always compliment and playfully bounce together with sharp and crazy, punchy kicks.

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  • PMG Kolektiv - Rezonator

    electronic music reviews

    12 February 2023

    Rezonator is the debut album by Macedonian electronic band PMG Kolektiv, released in 2007 and produced by Mirko Popov, Robotek and a few other friends from the collective.

    Year 2007 was a different universe for Macedonia, realising that just 6 years before, we have somehow survived a civil war, and just one year back in 2006 the controversial right-wing dictator Gruevski had just started his 10 year reign which left the country decapitated and split like never before, effects which will be felt for many years to follow.

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  • Speedy J — Loudboxer

    music reviews techno

    27 October 2022

    Ravers and raverettes, last weekend as I was browsing through some internet pages to discover new music from the industrial sphere of sonics, I stumbled upon this guy Speedy J, a name that I’ve encountered several times before, but for some reason never went beyond to explore his offerings.

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  • V/A — Purgatorium Inane EP

    music reviews techno

    11 August 2022

    Caedite Eos is pleased to present a various artist EP for its second release. This time _asstnt, Leo Laker, Voight Kampff and SlugoS are the ones in charge to deliver four peak-time killer tracks, keeping the same spirit as the first release: pure hard techno with an experimental touch.

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  • Zomby ‎– Where Were U In ’92?

    electronic music reviews

    12 March 2022

    I discovered Zomby through his releases on Hyperdub, and his catalogue of music threw me off: this guy was all over the place with ‘badboi’ riddims, dub and rave fused together so well, that he easily takes one of the top places of artists which influenced me and my music taste as I continued forward.

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